一张逼真的赛博朋克风格未来感名片照片：左手拿着一张横向的亚克力无边框名片，尺寸与标准名片相同（3.5英寸×2英寸），几乎占据了整个画面。名片采用简洁的个人名片布局，没有任何横幅或背景图片。它拥有光滑圆润的边缘，散发出柔和的霓虹光芒，并带有蓝色、粉色和紫色的渐变效果。背景采用深色虚化处理，以突出发光的边缘，而握住名片的指尖则反射出电影般的光影，营造出一种高科技的全息氛围。名片表面晶莹剔透，文字元素如同精细雕刻而成。 如果提供了公司标志，请将其融入设计中；如果没有，请根据公司名称创建一个简洁的文字标志。 如果任何字段留空，请自动填充视觉效果好且符合语境的设计元素。 最终的名片应布局均衡、线条简洁、视觉层次清晰，适合专业印刷。 姓名：[填写姓名] 职称：[填写职称] 公司名称：[填写公司名称] Logo：[使用附件/根据公司名称创建/留空] 联系方式： - 电话（图标）：[电话号码] - 电子邮箱（图标）：[电子邮件地址] - 网站（图标）：[网站网址] X（X 标志）：[X 用户名，例如 @dotey] 其他元素：[社交媒体/二维码/标语/留空]

请给我展示一张拉斯维加斯赌场风格的俯视图。

根据这篇文章 [维基百科页面] 制作一张关于此人生平的信息图。

Present a clear, side miniature 3D cartoon view of [YOUR CITY] tallest buildings. Use minimal textures with realistic materials and soft, lifelike lighting and shadows. Use a clean, minimalistic composition showing exactly the three tallest buildings in Sopot, arranged from LEFT to RIGHT in STRICT descending height order. The tallest must appear visibly tallest, the second must be clearly shorter than the first, and the third must be clearly shorter than the second. All buildings must follow accurate relative proportions: if a building is taller in real life, it MUST be taller in the image by the same approximate ratio. No building may be visually stretched or compressed. Each building should stand separately on a thin, simple ceramic base. Below each base, centered text should display: Height in meters — semibold sans-serif, medium size Year built — lighter-weight sans-serif, smaller size, directly beneath the height text Provide consistent padding, spacing, leading, and kerning. Write "YOUR CITY NAME" centered above the buildings, using a medium-sized sans-serif font. No building top should overlap or touch the text above.Use accurate architectural proportions based on real-world references.Maintain consistent camera angle and identical scale for each building model. No forced perspective. Use straight-on orthographic-style rendering. Do not exaggerate or stylize size differences beyond proportional accuracy. Use a square 1080×1080 composition.Use a clean, neutral background. Ensure no extra objects are present.

create a map of the US where every state is made out of its most famous food (the states should actually look like they are made of the food, not a picture of the food). Check carefully to make sure each state is right.

Create a high-detail 3D isometric diorama of the entire United States, where each state is represented as its own miniature platform. Inside each state, place a stylized, small-scale 3D model of that state's most iconic landmark. Use the same visual style as a cute, polished 3D city diorama: soft pastel colors, clean materials, smooth rounded forms, gentle shadows, and subtle reflections. Each landmark should look like a miniature model, charming, simplified, but clearly recognizable. Arrange the states in accurate geographical layout, with consistent lighting and perspective. Include state labels and landmark labels in a clean, modern font, floating above or near each model.

Create a high-quality, realistic 3D render of exactly one instance of the object: [Orange iPhone 17 Pro]. The object must float freely in mid-air and be gently tilted and rotated in 3D space (not front-facing). Use a soft, minimalist dark background in a clean 1080×1080 composition. Left Half — Full Realism The left half of the object should appear exactly as it looks in real life — accurate materials, colors, textures, reflections, and proportions. This half must be completely opaque with no transparency and no wireframe overlay. No soft transition, no fading, no blending. Right Half — Hard Cut Wireframe Interior The right half must switch cleanly to a wireframe interior diagram. The boundary between the two halves must be a perfectly vertical, perfectly sharp, crisp cut line, stretching straight from the top edge to the bottom edge of the object. No diagonal edges, no curved slicing, no gradient. The wireframe must use only two line colors: Primary: white (≈80% of all lines) Secondary: a color sampled from the dominant color of the realistic half (<20% of lines) The wireframe lines must be thin, precise, aligned, and engineering-style. Every wireframe component must perfectly match the geometry of the object. Strict Single-Object Rule Render only ONE object in the entire frame. Render only one physical object. Do NOT show a second object from any angle. Do NOT show a second object as a reflection, shadow, silhouette, outline, ghost image, or transparency. Do NOT show a second object for comparison or display purposes. Do NOT show both the front and the back separately. Do NOT show an extra device behind, beside, underneath, or partially hidden. Only one single object is allowed in the entire frame. No duplicate objects, no mirrored back-and-front pairings, no reflections showing a second object. The object must appear alone, floating. Pose & Lighting: Apply a natural, subtle tilt + rotation in 3D to make it look like a floating product visualization. Use soft, neutral global illumination and no shadows under the object. No extra props, no text, no labels unless explicitly requested.

创作一幅人物肖像，描绘此人作为艺术家正在绘制一个微型人偶。此人身着其最具标志性的服装，自信地直视镜头，一手拿着一支小画笔。一个迷你版的自己被醒目地放置在面前干净的工作台上——将人偶放大一些，使其比实际比例更显眼，从而更加突出。人偶也穿着同样的标志性服装，摆出标志性的姿势。工作台上摆放的绘画用品极简，避免杂乱——只有两三瓶小颜料和一支备用画笔，使画面焦点集中在人物和人偶上。柔和的中性白色背景，专业的影棚灯光，浅景深。构图突出了人物看向镜头的面部表情以及他正在绘制的人偶。画面风格简洁明快，追求照片级的写实效果，人物和人偶的细节都需高度还原。

将这幅插图用粉笔在黑板上进行绘画，使用彩色粉笔，从某个角度拍摄了黑板，场景来自日本教室，黑板靠墙放置，老师的桌子在前面，插图旁边用粉笔写着“虎来了！”。

使用宽屏面板，为《1984》第一页创作电影分镜脚本。

一幅气势恢宏、细节丰富的传统中国水墨彩绘手卷，绘于古旧绢本之上，完美地模仿了张择端名作《清明上河图》的艺术风格、笔法和散点透视。 中心场景：俯瞰熙熙攘攘的现代芝加哥河滨。画面焦点是巨大的钢制开启桥（杜萨布尔桥/密歇根大道桥），桥上车水马龙，无数汽车、黄色出租车和芝加哥交通管理局（CTA）公交车穿梭其间，所有景象均以精准的传统笔触描绘。 环境细节：下方的芝加哥河上，现代建筑风格的游船、水上出租车和皮划艇穿梭其间。河岸两侧林立着风格各异的芝加哥摩天大楼（形似箭牌大厦和论坛报大厦），以传统的“界画”建筑绘画技法绘制而成。背景中可见高架铁路和正在行驶的“L”型列车。 人类活动：河滨步道和桥边的人行道上挤满了数百个身着现代休闲服饰的小人。他们有的在慢跑，有的在用智能手机拍照，有的在街头小吃摊（热狗摊）前排队，有的在遛狗。整个场景细节丰富，略显杂乱，并以柔和的复古大地色调呈现。

Create a photo of vagabonds musashi praying drawn on a glass whiteboard in a slightly faded green marker

an office team photo, everyone making a silly face

How engineers see the San Francisco Bridge

35.6586° N, 139.7454° E at 19:00

一张宽的名人金句卡，棕色背景，衬线体浅金色 “保持饥饿, 保持愚蠢” 小字“——Steve Jobs”，文字前面带一个大的淡淡的引号，人物头像在左边，文字在右边，文字占画面比例2/3，人物占1/3，人物有点渐变过渡的感觉

为这张手办完成材质添加和上色，同时将周围环境变为符合角色设定的环境

帮我生成动漫角色中的女角色的一个合集故事，其中包括娜美、罗宾、小樱、雏田、松本乱菊，做成彩色漫画的形式，要求中文。

1998 年的一张业余照片，照片中一位中年艺术家正在用手将电脑屏幕上的图像复制到绷紧的画布上的油画中，但图像本身却是这位艺术家绘制递归图像时的照片。

recursive image of an orange cat sitting in an office chair holding up an iPad. On the iPad is the same cat in the same scene holding up the same iPad. Repeated on each iPad.